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TE Activity: Sound Booth Construction

Contributed by: Electrical and Computer Engineering Department, Drexel University GK-12 Program

 Finalist - 2009 Premier Curriculum Award for K-12 Engineering 

Photo shows double door entry surrounded by words, "Fantasy Studios."
The design of effective sound booths for audio recording is a highly-prized expertise in the entertainment industry.
click for copyright

Summary

Students explore the sound dampening ability of numerous materials by designing and prototyping model sound booths. As a result, students learn about how sound is reflected, absorbed and travels through various materials, thus giving them an overview of sound dampening, energy absorption and sound propagation in the context of engineering. Students also create blueprints and document their findings in a formal lab report.

Engineering Connection

Engineers who develop sound-proof structures are continually concerned with materials' abilities to dampen sound, both entering and exiting their structures. In a recording environment, the objective is to create an acoustic space (sound booth) isolated from all external noises. To do this, the sounds generated outside of the booth must be damped or reflected before they enter the structure so the microphone and equipment only record the desired sounds. In other instances, it may be important to keep the sound generated inside a room from escaping into adjacent rooms; for example, in a house with a music practice studio, preventing the music from being heard in the rest of the house. For a wide range of other everyday space and product applications— theaters, libraries, dish washing machines and ear plugs—engineers use sound dampening and sound reflecting materials to control sound.


Contents

  1. Learning Objectives
  2. Materials
  3. Introduction/Motivation
  4. Vocabulary
  5. Procedure
  6. Attachments
  7. Safety Issues
  8. Troubleshooting Tips
  9. Investigating Questions
  10. Assessment
  11. Extensions
  12. Activity Scaling
  13. Multimedia

Grade Level: 8 (7-9) Group Size: 3
Time Required: 180 minutes
Activity Dependency :None
Expendable Cost Per Group : US$ 1.50
Keywords: acoustics, acoustic engineering, dampening, energy absorption, materials, noise, recording studio, sound, sound booth, sound dampening, sound propagation
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Educational Standards :    

  •   Pennsylvania Math
  •   Pennsylvania Science
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Learning Objectives (Return to Contents)

After this activity, students should be able to:

  • Explain how surfaces reflect sound waves.
  • Develop blueprints for a structure to be constructed.
  • Explain why certain materials absorb more sound than others.
  • Write a formal lab report.

Materials List (Return to Contents)

Each group needs:

  • poster board (2-ft x 3-ft, or 61cm x 91cm)
  • scissors
  • ruler
  • pencil
  • Elmer's glue
  • duct tape, ~30 cm
  • Any three of the following materials: 50 jumbo cotton balls, 40 wide popsicle sticks (6-in x ¾-in or 15 cm x 2 cm), 20 paper towels, 30 tissues, 1 large sheet of construction paper (2-ft x 3-ft, or 61cm x 91cm)
  • Building a Sound Booth Handout

To share with the entire class:

  • computer or any device that can play audio (such as an MP3 player)
  • small speaker (such as an MP3 or detachable computer speaker)
  • decibel meter (sound level meters are available for purchase at local or online electronics stores such as RadioShack; need not be the $50 [expensive] ones; or borrow one from an electronics lab)
  • (optional) homemade platform to sit the model sound booths into to create a seal around the bottom of the booth (very helpful in obtaining precise results; see Troubleshooting Tips section for example)

Introduction/Motivation (Return to Contents)

Sound booths and sound dampening materials are used in the recording industry to produce high-quality recordings of music that people listen to on iPods (MP3s), CDs, the radio, movies and through the internet. Without high-performance sound dampening materials, music tracks would be mixed with environmental background noises from outside recording studios. And recording studios and practice studios would not be as readily available if sound dampening materials did not perform well. Imagine if your band rented a practice space in a building with other practice spaces and no sound proofing; you would constantly be hearing everyone else playing. The only time you would ever get a chance to practice and only hear your band's music would be when all other bands were not in the studio!

Photo shows a drummer playing in a band.
What are some situations, spaces and products in which sound dampening and sound reflecting materials would be useful?
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In our sometimes noisy world, we have a definite need for sound proofing and sound dampening capabilities — for musical purposes, as well as many other activities such as conference room meetings and library studying. Engineers design and create sound dampening structures that are used in recording studios, concert halls, movie theaters and even hospitals. What are some other spaces where you think sound dampening would be useful?


Vocabulary/Definitions (Return to Contents)

sound dampening: Reducing the intensity of a sound.
sound reflection: Bouncing a sound off of a surface into another direction.

Background

Stand-alone sound booths or sound isolation booths are built with fairly thick walls of about 3.75-inches (9.5 cm). The interior booth walls are covered with polyurethane acoustic foam or some other sound dampening type of material. The exterior of the booth is covered with an acoustic fabric to dampen the sound. Various other types of materials, such as baffles, ceiling tiles, vinyl barriers and some rubber products are used to dampen the sound in the booths. In situations in which a sound booth is not used, regular rooms can be made more sound proof by adding products to the walls, ceilings and floors to help eliminate outside noises from entering. In some instances, studio floors are even elevated to detach them from the overall building structures, eliminating more vibrations from entering the recording spaces.

Before the Activity

  • Gather materials and make copies of the Building a Sound Booth Worksheet, one per group.
  • Divide the various supplies into groups.
  • Divide the class into teams of three or four students each.

With the Students

  1. Ask students which materials would be best for sound dampening and why.
  2. Explain to the students that their job is to act as engineers and design and build model sound booths that can dampen the sound generated inside as much as possible, given the materials provided.
  3. Hand out the worksheets and have each group complete the Brainstorming section. Make available a sample of each supply material for students to see and touch.
  4. Have teams create Blueprint Designs of their sound booths, preparing a detailed list of materials needed on their worksheets.
  5. Approve the blueprint design plan from each group only if all supplies are listed with exact amounts and the design is realistic.
  6. Once all groups have approved blueprints, demonstrate the correct procedure for cutting the poster board to form the shell of the sound booth, as described on the worksheet.
  7. Direct students to trace the outline of the shell on their poster boards.
  8. Check each group's traced outline before allowing them to cut the poster board.
  9. Distribute only the materials each group needs to construct its sound booth from its blueprint.
  10. Have the teams construct their sound booths with their requested materials only.
  11. To simulate a real-world situation, limit how much time students are given to construct their model sound booths.
  12. After students have completed their sound booths, it is time to test each group's prototype.
  13. To test a sound booth, place the booth over the audio speaker, like an upside down cup. Place a decibel meter next to the booth.
    Drawing shows a decibel meter next to a speaker (with a cutout for placement of a model sound booth) that is connected to a computer.
    Activity testing set-up.
    click for copyright
  14. To make the testing accurate between prototypes, play the same audio clip at the same volume level for each booth test.
  15. For each sound booth test, have students record the highest decibel level reached in the table in the Data Collection section on the worksheet.
  16. After testing, have each group go to the front of the room and explain the construction of its sound booth and why it was made in that manner.
  17. Have students complete the Analysis and Conclusions sections of their worksheets.
  18. Lead a class discussion about why certain sound booths performed better than others and why certain materials work better than others.
  19. Assign students to write formal lab reports as described in the Assessment section.

Safety Issues (Return to Contents)

  • Alert the students to be careful cutting poster board with scissors.

Troubleshooting Tips (Return to Contents)

Often, the bottom edges of students' model sound booths are not even due to inaccurate booth construction and/or warping of the booth walls from drying glue. The resulting gaps let audio escape when playing the sound file. To create a better seal when testing the sound booths, guide students to 1) be precise in their construction work, and 2) make a homemade device to sit the sound booth down into.

Diagram shows a 35cm x 35cm x 3 cm flat box.
Cut off the bottom of a cardboard box to make a "homemade device" to seat the model sound booth into, thus preventing the loss of audio from under the bottom edges of the booth.
click for copyright

Example device to sit the sound booth down into: Cut off the bottom of a cardboard box, leaving a bit (~3cm) of the sides still on. Flip it over and cut out the inset square for the sound booth. Then place the cut up box upside down on a piece of cardboard and trace the outline to make the bottom of the "homemade device." Tape it all together with duct tape. Next, fill the inside of this box with tissues or cotton balls. Cut a hole in the side to run the audio cord through.

Investigating Questions (Return to Contents)

  • What materials, besides the ones used, might better dampen the sound?
  • Which types of materials are better to use: sound reflecting, sound absorbing materials or both?

Pre-Activity Assessment

Class Discussion: Solicit, integrate and summarize student responses. Discuss with the students:

  • What materials might be useful for making something not sound as loud?
  • What materials reflect sound?
  • Describe instances in which sound is reflected (such as a Grand Canyon echo).

Activity Embedded Assessment

Worksheet: Have students complete the worksheets during the activity, and write summary lab reports at the end, providing ways to measure concept comprehension.

Post Activity Assessment

Lab Report: Have students write lab reports in a similar format to the worksheet, but in a more formal manner with greater detail. A formally-written report enables evaluation of students' comprehension of the overall activity. Direct students to meet the following requirements: Begin with a statement of the problem and the predicted hypothesis of what materials are expected to perform best for sound dampening, and why. Follow with materials and procedure sections that include enough detail for someone to replicate the experiment exactly, adding details to the procedure original provided in the worksheet, as needed. Capture the decibel readings and booth descriptions from all the sound booth tests in a table in the data section of the report. In a results section, include a restatement of your observations with analysis of the data, such as the general relationship found between the materials, construction and sound dampening ability. Finally, provide a conclusion in the form of a paragraph that states whether the hypothesis was correct or not, and why. Include in your conclusion a description of potential improvements to your team's prototype, in what situations this type of sound dampening might be useful, and how engineers would be involved in the design and selection of materials for it.

Activity Extensions (Return to Contents)

As a homework assignment or during free time, have students experiment with the sound dampening ability of other materials.

Have students create a new sound booth with an unrestricted supply list and test its sound dampening ability.

Activity Scaling (Return to Contents)

  • For upper grades, increase the complexity of detail with more supplies, more strict requirements on interior dimensions and permission to modify the supplies given, which more accurately represents the constraints present in real-world engineering design.
  • For lower grades, reduce the intensity of explanation to more general concepts with a more straight-forward explanation.
  • For lower grades, see TeachEngineering's third-grade Sound unit lessons (and their associated activities): Audio Engineers: Sound Weavers, and Sound Environment Shapers, for an introduction to sound waves and audio engineering's role in music and movie production, and an exploration of sound and materials in terms of the environments designed by acoustical engineers.

Additional Multimedia Support (Return to Contents)

Learn more about the world-class sound recording and production services at the Fantasy Studios at Zaentz Media Center in Berkeley, CA. Click on their Gallery link to see photographs of their sound recording studios and control booths. See: http://www.fantasystudios.com/studios.html

Contributors

Travis M. Doll

Copyright

© 2007 by Drexel University GK-12 Program
Engineering as a Contextual Vehicle for Science and Mathematics Education, supported in part by National Science Foundation award no. DGE-0538476. Reproduction permission is granted for non-profit educational use.

Supporting Program (Return to Contents)

Electrical and Computer Engineering Department, Drexel University GK-12 Program

Last Modified: June 24, 2009
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